Recordings by Alan Lomax. Fred McDowell - The Alan Lomax Recordings LP used US 2011 NM/VG+. Scientific study of cultures, notably of their languages and their musics, shows that all are equally expressive and equally communicative, even though they may symbolize technologies of different levels With the disappearance of each of these systems, the human species not only loses a way of viewing, thinking, and feeling but also a way of adjusting to some zone on the planet which fits it and makes it livable; not only that, but we throw away a system of interaction, of fantasy and symbolizing which, in the future, the human race may sorely need. Alan Lomax (right) with musician Wade Ward during the Southern Journey recordings, 1959-1960. . The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. [14], From 1937 to 1942, Lomax was Assistant in Charge of the Archive of Folk Song of the Library of Congress to which he and his father and numerous collaborators contributed more than ten thousand field recordings. Parent Label: The show ran for only twenty-one weeks before it was suddenly canceled in February 1941. (SACD, Hybrid, Multichannel, Album, Comp), Songs of Christmas (From the Alan Lomax Collection), The Spanish Recordings: Mallorca: The Balearic Islands, Gaelic Songs Of Scotland - Women At Work In The Western Isles, Singing In The Streets: Scottish Children's Songs, Caribbean Voyage: East Indian Music In The West Indies, Caribbean Voyage: Trinidad: Carnival Roots, Caribbean Voyage: Saraca: Funerary Music of Carriacou, Caribbean Voyage: Tombstone Feast (Funerary Music Of Carriacou), World Library Of Folk & Primitive Music: Spain, World Library Of Folk & Primitive Music, V: Yugoslavia, World Library of Folk and Primitive Music Romania, The Spanish Recordings: Ibiza & Formentera: The Pityusic Islands, Classic Ballads Of Britain And Ireland Volume 1, Classic Ballads Of Britain And Ireland Volume 2, Italian Treasury, Folk Music And Song From Italy, A Sampler, Italian Treasury, The Trallaleri Of Genoa, Black Texicans (Balladeers And Songsters Of The Texas Frontier), Deep River Of Song - Bahamas 1935 - Chanteys And Anthems From Andros And Cat Island, Black Appalachia - String Bands, Songsters And Hoedowns, Deep River Of Song - Mississippi Saints & Sinners - From Before The Blues And Gospel, Mississippi: The Blues Lineage - Musical Geniuses Of The Fields, Levees, And Jukes, Big Brazos (Texas Prison Recordings, 1933 And 1934), Virginia And The Piedmont (Minstrelsy, Work Songs, And Blues), The Classic Louisiana Recordings Cajun & Creole Music 1934/1937, The Classic Louisiana Recordings Cajun & Creole Music II 1934/1937, The Complete Library Of Congress Recordings By Alan Lomax, Italian Treasury: Liguria: Baiardo And Imperia, Italian Treasury: Liguria: Polyphony of Ceriana, Louisiana (Catch That Train And Testify! It's necessary to put your hand on the artist while he sings. Correspondence ensued with the American authorities as to Lomax' suspected membership of the Communist Party, though no positive proof is found on this file. Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today, in Britta Sweers and Sarah H. Ross (eds. I think I arrived in April and I don't think we went south until August. . NOW TAKE MY MONEY, by Bessie Jones and the Georgia Sea Island Singers. Our founding fathers were very young when they decided enough is enough and took a stand against the largest military in the world at that time and is in no way a comparison to what Putin's dumb ass is doing! Nathan Salsburg never met Alan Lomax, the famed American musicologist. [34] He drew a parallel between photography and field recording: Recording folk songs works like a candid cameraman. [53] Though Alan Lomax's appeals to anthropology conferences and repeated letters to UNESCO fell on deaf ears, the modern world seems to have caught up to his vision. In 1950, Alan Lomax left the United States to avoid being snared in the anti-communist net cast by Senator McCarthy and others. In 1952 Folkways Records released a set of very strange, very powerful old recordings under the title Anthology of American Folk Music. On the first day of fall, 1959, in Como, Mississippi, a farmer named Fred McDowell emerged . The Alan Lomax Collection (AFC 2004/004) contains approximately 650 linear feet of manuscripts, 6400 sound recordings, 5500 graphic images, and 6000 moving images of ethnographic material created and collected by Alan Lomax and others in their work documenting song, music, dance, and body movement from many cultures. Chicago, Illinois, Mississippi Records was dreamt up 20 years ago. Beautiful album. A 2007 BBC news article revealed that in the early 1950s, the British MI5 placed Alan Lomax under surveillance as a suspected Communist. Lomax excelled at Terrill and then transferred to the Choate School (now Choate Rosemary Hall) in Connecticut for a year, graduating eighth in his class at age 15 in 1930. A second series of interviews, called "Dear Mr. President", was recorded in January and February 1942. According to Izzy Young, the audience booed when he told them to lay down their prejudices and listen to rock 'n' roll. That summer, Congress was debating the McCarran Act, which would require the registration and fingerprinting of all "subversives" in the United States, restrictions of their right to travel, and detention in case of "emergencies",[31] while the House Un-American Activities Committee was broadening its hearings. Become a Subscriber. The Complete Plantation Recordings, subtitled The Historic 1941-42 Library of Congress Field Recordings, is a compilation album of the blues musician Muddy Waters' first recordings collected by Alan Lomax for the Library of Congress in 1941-42 and released by the Chess label in 1993. Son House 1941/42 Recordings Folklyric LP Vinyl EX- Alan Lomax. They have to react to you. 11 - Honor the Lamb This set gathers recordings made by folklorist Alan Lomax in 1959, by which time the little-known Fred McDowell was well into his 50s. These tape recordings are "distinct" from the thousands of earlierrecordings on acetate . Finally back in print! The Alan Lomax Collection: Southern Journey, Vol. It's a big problem in Spain because there is so much emotional excitement, noise all around. Nevertheless, according to Gioia: Yet what the probe failed to find in terms of prosecutable evidence, it made up for in speculation about his character. He played a key role in the development of the Center's work. The music is enormously varied: from worksongs to Big Brazos, Texas Pnson Recordings, 1933 tunes played on quills, from haunting and 1934 Cajun songs to old British traditional CD, 1826, Rounder, 2000. Thanks for putting it on bandcamp! Alan Lomax and the Voyager Golden Records. "That is pretty much the story there, except that it distressed my father very, very much", Lomax told the FBI. His association with [blacklisted American] film director Joseph Losey is also mentioned (serial 30a).[58]. It remains astounding that a rural blues performer of such talent, already in his mid-fifties when Lomax came across him, had not previously recorded . Vital but often overlooked music made accessible through quality and affordable records and tapes, with respect to artists and their vision. The men rose in the black hours of morning and ran all the way to the field, sometimes a distance of several . Our focus here will be on the recordings made by four men John A. Lomax, Herbert Halpert, Alan Lomax, and Bill Ferris at Parchman Farm between 1933 and 1969. Traveling to Cleveland, Mississippi from September 30 - October 2, Executive . Roosevelt Dime sings "Goin' Down the Road Feelin' Bad" as part of the Lomax Challenge. Between 1933 and 1939, John Lomax would record nearly 250 songs from Parchman inmates, male and female; and not just the group work songs and field hollers, but also game songs, blues, ballads, toasts, and many sacred performances. But now, exactly 15 years after Lomax's death on July 19, 2002, there's likely no person on the planet who's spent more time . [68] The album went on to be certified platinum in more than 20 countries. I do not find positive evidence that Mr. Lomax has been engaged in subversive activities and I am therefore taking no disciplinary action toward him." Includes a glossy two-sided 10" x 10" liner note insert. In 1953 a young David Attenborough commissioned Lomax to host six 20-minute episodes of a BBC TV series, The Song Hunter, which featured performances by a wide range of traditional musicians from all over Britain and Ireland, as well as Lomax himself. To thank volunteers, our partners . Alan Lomax: The Man Who Recorded the World By John Szwed (New York: Viking, 2010 Pp 438, acknowledgments, notes, and index $2000 paper)The late Alan Lomax, doyen of folklore throughout the world, was a unique individual on many levels Alan and I worked together for approximately ten months at the Library of Congress listening to all the African American music found in the holdings of the . Recorded in Como, Mississippi, September 21-25, 1959. This is a song that transports the listener back to a time and place where songs were how stories were told. Also as a sidebar, considering who the Ertegun brothers were at that point in time, it's surprising to me that they greenlighted that project at that point in time. Nor would he ever allow anyone to say he was forced to leave. It is one of the very rare attempts to put cultural criticism onto a serious, comprehensible, and rational footing by someone who had the experience and breadth of vision to be able to do it. He was a musicologist, writer, producer, and musician and spent much of his life gathering field recordings of folk music. Ethnomusicologist and archivist Alan Lomax's contribution to the preservation and continued flourishing of American folk music is inestimable. The FBI again investigated Lomax in 1956 and sent a 68-page report to the CIA and the Attorney General's office. The two were romantically involved and lived together for some years. Even if they're mad at you, it's better than nothing. (1994: 338343), carcasses of dead or dying cultures on the human landscape, that we have learned to dismiss this pollution of the human environment as inevitable, and even sensible, since it is wrongly assumed that the weak and unfit among musics and cultures are eliminated in this way Not only is such a doctrine anti-human; it is very bad science. [62], In January 2012, the American Folklife Center at the Library of Congress, with the Association for Cultural Equity, announced that they would release Lomax's vast archive in digital form. Approximately 17,400 of Lomax's recordings from 1946 and later have been made available free online. On one of his trips in 1941, he went to Clarksdale, Mississippi, hoping to record the music of Robert Johnson. This album highlights traditional Black American folk and gospel songs from Americas coastal South. Still gives me goosebumps and a good laugh. Alan Lomaxs List of American Folk Songs on Commercial Records (1940), "The Sonic Journey of Alan Lomax: Recording America and the World", Alan Lomax Collection, The American Folklife Center, Library of Congress, "Remembrances of Alan Lomax, 2002" by Guy Carawan, "Alan Lomax: Citizen Activist", by Ronald D. Cohen, https://en.wikipedia.org/w/index.php?title=Alan_Lomax&oldid=1138683769. Maybe not purty enough. $24.99 + $5.05 shipping. [42][43], Lomax married Antoinette Marchand on August 26, 1961. In Young's opinion, "Lomax put on what is probably the turning point in American folk music . 12 - Georgia Sea Islands, Biblical Songs and Spirituals 1998 The Alan Lomax Collection: Southern Journey, Vol. Drop Down Mama 7. Allison Hussey. [13] They were married for 12 years and had a daughter, Anne (later known as Anna). In 1942 the FBI sent agents to interview students at Harvard's freshman dormitory about Lomax's participation in a demonstration that had occurred at Harvard ten years earlier in support of the immigration rights of one Edith Berkman, a Jewish woman, dubbed the "red flame" for her labor organizing activities among the textile workers of Lawrence, Massachusetts, and threatened with deportation as an alleged "Communist agitator". Especially powerful when walking home drunk, on max volume. A roommate, future anthropologist Walter Goldschmidt, recalled Lomax as "frighteningly smart, probably classifiable as a genius", though Goldschmidt remembers Lomax exploding one night while studying: "Damn it! Someday the deal will change. [30] The following June, Red Channels, a pamphlet edited by former F.B.I. Thank you Brittany Haas for the wonderful fiddle! In 1983, Lomax founded The Association for Cultural Equity (ACE). This made sense, because even Alan Lomax himself, the great folk archivist, had said somewhere that if you want to go to America, go to Greenwich Village. [70]. The possibilities for this new, modern frontier seem endlesssomething that Lomax himself surely would've appreciated. I believe this is one of the most important books ever written about music, in my all time top ten. John Szwed's new book, Alan Lomax: The Man Who Recorded the . Alan had wanted to do it earlier, but there was just no money to do it with. Made in the field in the Southern United States, the Caribbean, Britain, Scotland, Ireland, Spain, Italy, Morocco, Romania, Soviet Georgia, and in Lomax's various living quarters, where he hosted many traditional singers. Barton, Matthew. Sapphista, supported by 50 fans who also own The Alan Lomax Recordings, Years ago, being broke and hopeless, I listened to a shitty vinyl rip of this all the time. I was part of the recording process, I made notes, I drafted contracts, I was involved in every part". Keep Your Lamps Trimmed and Burning 4. Ascut Belafonte (His Rare Recordings) de Harry Belafonte pe Deezer. [27], In the late 1940s, Lomax produced a series of commercial folk music albums for Decca Records and organized a series of concerts at New York's Town Hall and Carnegie Hall, featuring blues, calypso, and flamenco music. Woke Up This Morning With My Mind On Jesus 6. Michael Taft of the American Folklife Center explains some of the milestones in field recording technology during Lomax's time. Jelly Roll Morton: The Complete Library of Congress Recordings by Alan Lomax (Rounder Records, 8 CDs boxed set) won in two categories at the 48th annual Grammy Awards ceremony held on February 8, 2006[60] Alan Lomax in Haiti: Recordings For The Library Of Congress, 19361937, issued by Harte Records and made with the support and major funding from Kimberley Green and the Green foundation, and featuring 10 CDs of recorded music and film footage (shot by Elizabeth Lomax, then nineteen), a bound book of Lomax's selected letters and field journals, and notes by musicologist Gage Averill, was nominated for two Grammy Awards in 2011.[61]. One especially enthusiastic source exclaims that few sources deserve greater praise than him for "the preservation of America's folk music." Collins: We went to another place actually, we went to California, to the California Folk festival in Berkeley, this was sometime in the summer. In the United States, he was responsible for priceless recordings of Leadbelly (who Lomax first recorded in prison), Woody Guthrie, Jelly Roll Morton and many others. Fred McDowell's Blues 5. "He did it out of the passion he had for it, and found ways to fund projects that were closest to his heart".[3]. We all hit it off wonderfully. Lomax, now 17, therefore took a break from studying to join his father's folk song collecting field trips for the Library of Congress, co-authoring American Ballads and Folk Songs (1934) and Negro Folk Songs as Sung by Lead Belly (1936). Get fresh music recommendations delivered to your inbox every Friday. In a rousing speech recorded at the festival, ethnomusicologist Alan Lomax (1915-2002) refers to the islands as "one of the heartlands of American music." Vigorous performances of spirituals, Gullah folk tales, and improvised blues attest to his assessment. Alan Lomax (1915-2002) was a documentarian, ethnologist, cultural activist, and arguably the foremost folklorist of the 20th century. Some, such as Richard Dorson, objected that scholars shouldn't act as cultural arbiters, but Lomax believed it would be unethical to stand idly by as the magnificent variety of the world's cultures and languages was "grayed out" by centralized commercial entertainment and educational systems. Similar ideas had been put into practice by Benjamin Botkin, Harold W. Thompson, and Louis C. Jones, who believed that folklore studied by folklorists should be returned to its home communities to enable it to thrive anew. Alan LOMAX ENGLAND World Library of Folk & Primitive Music Columbia SL206 . It's not a matter of the blind leading the blind it's a matter of stupid people in large numbers that creates the bullshit! [7], Due to childhood asthma, chronic ear infections, and generally frail health, Lomax had mostly been home schooled in elementary school. [6] His first field collecting without his father was done with Zora Neale Hurston and Mary Elizabeth Barnicle in the summer of 1935. Years ago, being broke and hopeless, I listened to a shitty vinyl rip of this all the time. He gave a sworn statement to an FBI agent on April 3, 1942, denying both of these charges. Alan Lomax (; January 31, 1915 - July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. McLeish wrote to Hoover, defending Lomax: "I have studied the findings of these reports very carefully. In March 2004, the American Folklife Center in the Library of Congress acquired the Alan Lomax Collection, which comprises the unparalleled ethnographic documentation collected by the legendary folklorist over a period of sixty years. The FBI file notes that Lomax stood 6 feet (1.8m) tall, weighed 240 pounds and was 64 at the time: Lomax resisted the FBI's attempts to interview him about the impersonation charges, but he finally met with agents at his home in November 1979. The acquisition was made possible through a cooperative agreement between the American Folklife Center (AFC) and the Lomax Digital Archive, and the generosity of an anonymous donor. [63] By February 2012, 17,000 music tracks from his archived collection were expected to be made available for free streaming, and later some of that music may be for sale as CDs or digital downloads. During the 1950s, after she and Lomax divorced, she conducted lengthy interviews for Lomax with folk music personalities, including Vera Ward Hall and the Reverend Gary Davis. Lomax left Harvard, after having spent his sophomore year there, to join John A. Lomax and John Lomax, Jr. in collecting folk songs for the Library of Congress and to assist his father in writing his books. Colin Scott and David Evans, liner Notes to. Their folk song collecting trip to the Southern states, known colloquially as the Southern Journey, lasted from July to November 1959 and resulted in many hours of recordings, featuring performers such as Almeda Riddle, Hobart Smith, Wade Ward, Charlie Higgins and Bessie Jones and culminated in the discovery of Fred McDowell. At the time, Lomax was preparing for a field trip to the Mississippi Delta on behalf of the Library, where he would make landmark recordings of Muddy Waters, Son House, and David "Honeyboy" Edwards, among others. Scholar and jazz pianist Ted Gioia uncovered and published extracts from Alan Lomax's 800-page FBI files. It's surprising that Atlantic Records made that leap of faith because the series is sort of outside of their paradigm. Recorded in Como, Mississippi, September 21-25, 1959. Music he helped choose included the blues, jazz, and rock 'n' roll of Blind Willie Johnson, Louis Armstrong, and Chuck Berry; Andean panpipes and Navajo chants; Azerbaijani mugham performed by two balaban players,[45] a Sicilian sulfur miner's lament; polyphonic vocal music from the Mbuti Pygmies of Zaire, and the Georgians of the Caucasus; and a shepherdess song from Bulgaria by Valya Balkanska;[46] in addition to Bach, Mozart, and Beethoven, and more. It says: "He has a tendency to neglect his work over a period of time and then just before a deadline he produces excellent results." A copy of the repatriation catalog can be found here. It made me hopping mad. . Lomax said the driving force behind his lifetime of collecting was a philosophy that folklore, music and stories are windows into the human condition. "The Lomaxes", pp. Search all Bandcamp artists, tracks, and albums, Mississippi Records [26], While serving in the army in World War II, Lomax produced and hosted numerous radio programs in connection with the war effort. The Alan Lomax Collection (AFC 2004/004) contains approximately 650 linear feet of manuscripts, 6400 sound recordings, 5500 graphic images, and 6000 moving images of ethnographic material created and collected by Alan Lomax and others in their work documenting song, music, dance, and body movement from many cultures. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. He was always living hand to mouth. John was back once more in 1939. Lomax's greatest legacy is in preserving and publishing recordings of musicians in many folk and blues traditions around the US and Europe. Over his seven-decade career he collected thousands of audio recordings of folk and traditional music from around the US and the world, and dedicated himself to the pursuit of what he called "cultural equity." Alan Lomax Collection and Lomax Digital Archive, permissions. To mark the 100th birthday of influential folklorist and musician Alan Lomax (1915-2002), who collected songs from musicians like Muddy Waters, Lead Belly, Aunt Molly Jackson and Woody Guthrie, Folk Alliance International joined the American Folklife Center to create the Lomax Challenge. Alan Lomax (/ l o m k s /; January 31, 1915 - July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. The earliest recordings were made by John and Alan Lomax in Harlan County in 1933. Upon his return to New York in 1959, Lomax produced a concert, Folksong '59, in Carnegie Hall, featuring Arkansas singer Jimmy Driftwood; the Selah Jubilee Singers and Drexel Singers (gospel groups); Muddy Waters and Memphis Slim (blues); Earl Taylor and the Stoney Mountain Boys (bluegrass); Pete Seeger, Mike Seeger (urban folk revival); and The Cadillacs (a rock and roll group). [8], Owing to his mother's declining health, however, rather than going to Harvard as his father had wished, Lomax matriculated at the University of Texas at Austin. You can almost hear the creak of the porch swing and smell the wildflowers. His radio shows of the 1940s and 1950s explored musics of all the world's peoples. Folklorist Alan Lomax died Friday, July 19 at the age of 87. Lomax spent the last 20 years of his life working on an interactive multimedia educational computer project he called the Global Jukebox, which included 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs. [65][66] This is material from Alan Lomax's independent archive, begun in 1946, which has been digitized and offered by the Association for Cultural Equity. Of the many important recordings Alan Lomax made in his trips through the American South in 1959, perhaps none of the artists he documented were as destined to make as much of an impact on the world of popular music as Mississippi Fred McDowell. It extensively used samples from field recordings collected by Lomax on the 1993 box set Sounds of the South: A Musical Journey from the Georgia Sea Islands to the Mississippi Delta. Empathy is most important in field work. Kugelberg: That's the nature of somebody who is making the path as he's going along. Along with 10 CDs of recordings of Haitian musicians, the set also includes two books. Donna Diane from the Chicago noise-rock duo Djunah joins the show to discuss the band's new LP. [23] On hearing the news, Woody Guthrie wrote Lomax from California, "Too honest again, I suppose? (Others listed included Aaron Copland, Leonard Bernstein, Yip Harburg, Lena Horne, Langston Hughes, Burl Ives, Dorothy Parker, Pete Seeger, and Josh White.) As a member of the Popular Front and People's Songs in the 1940s, Alan Lomax promoted what was then known as "One World" and today is called multiculturalism. He collaborated in Bell County with New York University folklorist Mary Elizabeth Barnicle. [9], At this time he also he began collecting "race" records and taking his dates to black-owned night clubs, at the risk of expulsion. Its racially integrated cast included Burl Ives, Lead Belly, Josh White, Sonny Terry, and Brownie McGhee. He won the National Book Critics Circle Award and the Ralph J. Gleason Music Book Award in 1993 for his book The Land Where the Blues Began, connecting the story of the origins of blues music with the prevalence of forced labor in the pre-World War II South (especially on the Mississippi levees). Nor had Lomax's Harvard academic record been affected in any way by his activities in her defense. Through a grant from the American Council of Learned Societies, Lomax was able to set out in June 1933 on the first recording expedition under the Library's auspices, with 18-year-old Alan Lomax in tow. Lomax never told his family exactly why he went to Europe, only that he was developing a library of world folk music for Columbia. Yes, he's here, he's made a trip out to see me. Alan Lomax is quoted as a credible historian and ethnomusicologist of the time who travelled across the US and Haiti documenting and recording local musics. [12] Lack of money prevented him from immediately attending graduate school at the University of Chicago, as he desired, but he would later correspond with and pursue graduate studies with Melville J. Herskovits at Columbia University and with Ray Birdwhistell at the University of Pennsylvania. Beautiful album! The Alan Lomax Recordings document blues and gospel music recorded by folklorist Alan Lomax between 1945 and 1965. So, those months were spent in New York? "[1] With the start of the Cold War, Lomax continued to advocate for a public role for folklore,[2] even as academic folklorists turned inward. Italian Treasury: Piemonte And Valle D'Aosta. See. He enrolled in philosophy and physics and also pursued a long-distance informal reading course in Plato and the Pre-Socratics with University of Texas professor Albert P. Update 2/3/20:Congratulations on completing another successful challenge! Woke Up This Morning With My Mind On Jesus, When You Get Home Please Write Me A Few Of Your Lines, Keep Your Lamps Trimmed and Burning (instrumental). Although the Great Depression was rapidly causing his family's resources to plummet, Harvard came up with enough financial aid for the 16-year-old Lomax to spend his second year there. In February 1941, Lomax spoke and gave a demonstration of his program along with talks by Nelson A. Rockefeller from the Pan American Union, and the president of the American Museum of Natural History, at a global conference in Mexico of a thousand broadcasters CBS had sponsored to launch its worldwide programming initiative. This collection consists of more than 100 individual collections and includes 700 linear feet of manuscripts, 10,000 sound recordings,6,000 graphic images, and 6,000 moving images. Elizabeth assisted him in recording in Haiti, Alabama, Appalachia, and Mississippi. Over four hundred recordings from this collection are now available at the Library of Congress. It is housed at the Fine Arts Campus of Hunter College in New York City and is the custodian of the Alan Lomax Archive. ForTheLoveOfMusic, Bandcamp Dailyyour guide to the world of Bandcamp. "Fred McDowell: The Alan Lomax Recordings" is a collaboration by the Alan Lomax Archive, Mississippi Records, Little Axe Records, and Domino Sound. The 66 tracks are accompanied by a 68-page booklet documenting the Lomax collecting trip, as well as notes on the songs, tunes and stories. Alan Lomax (/lomks/; January 31, 1915 July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. [57] Lomax had been charged with disturbing the peace and fined $25. He spent more than a half century recording the folk music and customs of the world. He joined and wrote a few columns for the school paper, The Daily Texan but resigned when it refused to publish an editorial he had written on birth control. The Alan Lomax collection of Michigan and Wisconsin recordings (AFC 1939/007) documents Irish, Italian, Finnish, Serbian, Lithuanian, Polish, German, Croatian, French Canadian, Hungarian, Romanian, and Swedish songs and stories, as well as occupational folklife among loggers and lake sailors in Mich
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